![]() The beach fight was cool, with Reeves and Swayze showing off their moves, and the house raid was also well-done. Point Break is also chock-full of great action sequences. Gary Busey is here too, lending some class and craziness as usual. He's cool in the beginning, but you just totally hate him by the end, which is the hallmark of a good villain. Patrick Swayze is excellent as the villain, and it may be his finest performance. He's weirdly perfect as Johnny Utah (the coolest character name ever next to John McClane and Axel Foley), and gives his all in the role. The only actor to ever give poor performances well, Reeves has made a living off of his visible lack of enthusiasm in his roles for years, and it's somehow charming and endearing. Keanu Reeves is at the top of his stoic, emotionless game. I mean, Utah uses his real name undercover (because why not?), falls in love with a girl (predictably), barely hides his profession as an FBI agent, and at one point, he and the main villain know the other's true identity but still act like best buds for no reason. You throw realism out the window upon seeing the plot summary. It's about an FBI agent named Johnny Utah trying to catch surfer bank robbers. It jams surfing, action, love, and crime into one awesome-looking package, and presents it excitedly. It doesn't operate on any levels of reality, unashamedly, and wears its "movie" status proudly, deciding instead to tell a intricate tale, which is loads of fun. I reached my breaking point about thirty minutes into “Point Break.” In the hit-or-miss world of remakes, “Point Break” is a big whiff.You know those movies where there's not one realistic thing about them, but it only adds to the charm and fun of it? Where the insanity and occasional inane script choices make it that much more entertaining? Point Break is such a film. Hothead agents like the one played by Ray Winstone are too commonplace in FBI movies, and foreign people don’t always make for more dramatic actors.Īt one point, Utah warns his boss, “It will get ugly.” I’m warning you the same thing. Ramirez can be found in a much better role a few theaters away, in “Joy,” which released the same day. And it doesn’t help that they have two terrible leads trying to be game for anything. Extreme athletes try using extreme emotions. Plus, the absurd dialogue is too often shouted. ![]() They say one thing and do another, using “I think we can make it work” as their only reasoning. Like any bad movie with a law enforcement plot, “Point Break” is full of procedural and jurisdictional fallacies. The movie hardly sticks to its shallow plot. Even getting help from the writers of the original 1991 movie, starring Patrick Swayze and Keanu Reeves, writer Kurt Wimmer (“Law Abiding Citizen,” “Salt”) couldn’t make “Point Break” worth sticking around for. “Point Break” is filled with unbelievable sights and insane stunts, most of which are real. But when he falls in love with Samsara (Teresa Palmer), who is part of their group, Utah begins to question whether or not these guys just might be on to something. So Utah goes undercover and infiltrates as he tries to catch them in the act. But Bodhi (Edgar Ramirez) and his buddies are on their way. Utah knows they’re trying to complete the “Ozaki 8,” a series of eight tests of nature that will grant enlightenment to anyone who can complete them. Years later, Utah is finishing up training to become an FBI agent when a group of extreme athletes are caught stealing millions of dollars in diamonds and cash. But “Point Break” kept finding newfangled excuses to show feats of extreme athleticism without sticking to the central point, the plot, or the purpose of the movie.įormer extreme athlete Johnny Utah (Luke Bracey) left motocross when he lost his best friend in an accident. ![]() That’s the case with “Point Break.” You’ve probably heard about the incredibly exhilarating extreme sports stunts. Remakes of mediocre actions movies from the early ‘90s are usually miss.
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